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Dead Leaves, Sonic Breeze

by THE SPIRAL SOUND

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Xtian James
Xtian James thumbnail
Xtian James This song rests in the musical caverns of my mind. I know the place. But, I don’t know if it really exists. But it seems so familiar, it’s like I’ve known it my whole life. Favorite track: So Inevitable.
7red7
7red7 thumbnail
7red7 I pretty much gave up on music...for the longest time NOTHING excited my ear...so I started re-listening to the music I grew up with and loved...enter CHANNEL 69 and their green album (*if you know you know) felt right and since they were about to play here in concert...PERFECT...I started talking to their guitarist (*and I was soon to find out the man behind THE SPIRAL SOUND) he turned me on to this FANTASTIC ep...the BEST 5 songs I've heard in ages...gives me HOPE rock&roll is still ALIVE!
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1.
𝙸 πšπš˜πš—'𝚝 πš”πš—πš˜πš  πš πš‘πš’ πš’πš˜πšžπš› πš—πšŽπšŸπšŽπš› πšœπšŠπšπš’πšœπšπš’πšŽπš πš†πšŽπš•πš•, πš—πšŽπš’πšπš‘πšŽπš› πšŠπš– 𝙸 πš•πš˜πš˜πš” 𝙸 πš“πšžπšœπš 𝚐𝚎𝚝 πš‹πš•πš’πš—πš 𝚈𝚘𝚞 πš πš’πš—πš” πšŠπš•πš• πš˜πšŸπšŽπš› πšŒπš•πš˜πšŸπšŽ πšŒπš’πšπšŠπš›-πš’πšœπš‘ πš‹πš›πšŽπšŠπšπš‘ π™Ύπš‘, πš πš‘πšŽπš— 𝚒𝚘𝚞 πšπšŠπš”πšŽ πšπš‘πšŠπš πšœπš–πš’πš•πšŽ 𝙸 𝚐𝚎𝚝 𝚊 πš•πš’πšπšπš•πšŽ πš‘πšŠπš›πšπšŽπš› 𝚈𝚘𝚞 πšπš˜πš—'𝚝 πš‘πšŠπšŸπšŽ 𝚝𝚘 πšπš›πš’ 𝚜𝚘 πš‘πšŠπš›πš 𝙸 πš πš˜πš—'𝚝 πšπšŠπš”πšŽ 𝚝𝚘 𝚒𝚘𝚞'πš›πšŽ πšŠπšπšŸπš’πšŒπšŽ π™Ήπšžπšœπš πš‘πš˜πš•πš πš–πšŽ πšπš’πšπš‘πš, πšžπš—πšπš’πš• 𝚊 πš•πš’πšπšπš•πšŽ πš•πšŠπšπšŽπš› 𝙰 πšπšŠπš”πšŽ πšžπš™, πšπšŽπš—πšπš•πšŽ πš’πš˜πšžπšπš‘, πš’πš'𝚜 πšŒπš›πš˜πš˜πš”πšŽπš πš‹πšŠπšŒπš” 𝙰 πš πšŠπš”πšŽ πšžπš™ πš—πšŽπš‘πš 𝚝𝚘 𝚒𝚘𝚞, 𝚊 πš—πšŠπš”πšŽπš πš‹πšŽπš 𝙸 πš πš’πšœπš‘ 𝙸 𝚠𝚊𝚜 𝚊𝚜 𝚐𝚘𝚘𝚍 𝚊𝚜 𝚒𝚘𝚞 𝚊𝚝 πšπš‘πšŠπš π™Ύπš‘, πš πš‘πšŽπš— 𝚒𝚘𝚞 πšπšŠπš”πšŽ πšπš‘πšŠπš πšœπš–πš’πš•πšŽ 𝙸 𝚐𝚎𝚝 𝚊 πš•πš’πšπšπš•πšŽ πš‘πšŠπš›πšπšŽπš› 𝚈𝚘𝚞 πšπš˜πš—'𝚝 πš‘πšŠπšŸπšŽ 𝚝𝚘 πšπš›πš’ 𝚜𝚘 πš‘πšŠπš›πš 𝙸 πš πš˜πš—'𝚝 πšπšŠπš”πšŽ 𝚝𝚘 𝚒𝚘𝚞'πš›πšŽ πšŠπšπšŸπš’πšŒπšŽ π™Ήπšžπšœπš πš‘πš˜πš•πš πš–πšŽ πšπš’πšπš‘πš, πšžπš—πšπš’πš• 𝚊 πš•πš’πšπšπš•πšŽ πš•πšŠπšπšŽπš› π™Ύπš‘, πš πš‘πšŽπš— 𝚒𝚘𝚞 πšπšŠπš”πšŽ πšπš‘πšŠπš πšœπš–πš’πš•πšŽ 𝙸 𝚐𝚎𝚝 𝚊 πš•πš’πšπšπš•πšŽ πš‘πšŠπš›πšπšŽπš› 𝚈𝚘𝚞 πšπš˜πš—'𝚝 πš‘πšŠπšŸπšŽ 𝚝𝚘 πšπš›πš’ 𝚜𝚘 πš‘πšŠπš›πš 𝙸 πš πš˜πš—'𝚝 πšπšŠπš”πšŽ 𝚝𝚘 𝚒𝚘𝚞'πš›πšŽ πšŠπšπšŸπš’πšŒπšŽ π™Ήπšžπšœπš, πšπšŠπš”πšŽ πšπš‘πšŠπš πšœπš–πš’πš•πšŽ 𝙸 𝚐𝚎𝚝 𝚊 πš•πš’πšπšπš•πšŽ πš‘πšŠπš›πšπšŽπš› 𝚈𝚘𝚞 πšπš˜πš—'𝚝 πš‘πšŠπšŸπšŽ 𝚝𝚘 πšπš›πš’ 𝚜𝚘 πš‘πšŠπš›πš 𝙸 πš πš˜πš—'𝚝 πšπšŠπš”πšŽ 𝚝𝚘 𝚒𝚘𝚞'πš›πšŽ πšŠπšπšŸπš’πšŒπšŽ π™Ήπšžπšœπš πš‘πš˜πš•πš πš–πšŽ πšπš’πšπš‘πš, πšžπš—πšπš’πš• 𝚊 πš•πš’πšπšπš•πšŽ πš•πšŠπšπšŽπš›
2.
Because 03:53
Looking for another way to fill in the blanks Looking for all cars in parking lots that don’t exist Your looking for another pause on all our lips I wished you knew, I wish I wished you knew, I wish Just because all our thoughts hit the wall without any brakes Everybody wants a little piece of everybody’s cake Look at you Uncomfortable cause I just wanna see how you dance Under stars, live in bars, drive our cars without any hands But, your looking for another cause on all our lips I wished you knew, I wished I wish you knew, I wish If I could start it all again Just start it all again I wished you weren’t distorted on my mind To start it all again(because) Just start it all again I wish you weren’t distorted on my mind To start it all again(because) To start it all again Get out of the way You are distorted in my mind To start it all again Just start it all again I wished you weren’t distorted on my mind
3.
Strutdts 05:17
πš‚πš˜πš–πšŽπšπš’πš–πšŽπšœ, πš πš‘πšŽπš— 𝙸'πš– πšŠπš•πš˜πš—πšŽ πšŠπš—πš 𝙸'πš– πšœπš’πš—πšπš’πš—πš πš‚πš˜πš–πšŽπšπš‘πš’πš—πš, 𝚐𝚘𝚎𝚜 πšπš‘πš›πš˜πšžπšπš‘ πš–πšŽ πšŠπš—πš πš’πš πšπšŽπšŽπš•πšœ πš•πš’πš”πšŽ πš’πš'𝚜 𝚒𝚘𝚞 π™³πš˜ 𝚒𝚘𝚞 πš›πšŽπš–πšŽπš–πš‹πšŽπš› πš‘πš˜πš  𝚠𝚎 𝚞𝚜𝚎𝚍 𝚝𝚘 πšœπš’πš πš˜πšžπšπšœπš’πšπšŽ πš’πš— πšπš‘πšŽ πšœπšžπš–πš–πšŽπš›πšπš’πš–πšŽ? π™°πš—πš πšžπš™ πš’πš— πšπš‘πšŽ πšœπš”πš’ 𝚠𝚎 πš πšŠπšπšŒπš‘πšŽπš πšπš‘πšŽ 𝚞.𝚏.𝚘'𝚜 𝙸 πšŒπšŠπš—πš—πš˜πš πšŒπš˜πš—πš—πšŽπšŒπš πš‹πšŽπšŒπšŠπšžπšœπšŽ 𝙸 πšπš˜πš—πš πš›πšŽπš•πšŠπšπšŽ πš‘πšŽπš›πšŽ π™ΏπšŠπš›πšπšœ 𝚘𝚏 πš–πšŽ πšπš‘πšŠπš πšπš’πšŽ π™°πš—πš˜πšπš‘πšŽπš› πšŒπš˜πš›πš™πšœπšŽ 𝚘𝚏 πš–πš’πš—πšŽ 𝙸 πš›πšŽπšŠπš•πš•πš’ πšŒπšŠπš—πš πš›πšŽπšŒπšŠπš•πš• π™ΌπšŽ πš‘πšŠπšŸπš’πš—πš πšπšŽπšŽπš•πš’πš—πšπšœ 𝚊𝚝 πšŠπš•πš• π™±πšŽπšŒπšŠπšžπšœπšŽ 𝚒𝚘𝚞 πšπšžπš–πš‹ πš–πšŽ πšπš˜πš πš— πšπš‘πšŽ πšπš›πšŠπš’πš— 𝙸 𝚐𝚎𝚝 πš–πšŽπšŒπš‘πšŠπš—πš’πšŒπšŠπš• π™Όπš’ πš‹πšžπš›πš’πšŽπš πšπš‘πš˜πšžπšπš‘πšπšœ π™³πš˜πš—'𝚝 πšπš›πš’πšŒπš”πš•πšŽ πšπš˜πš πš— π™΄πš—πš˜πšžπšπš‘ 𝚝𝚘 πšπš˜πš›πš–πšžπš•πšŠπšπšŽ 𝙰 πšœπš’πš—πšπš•πšŽ πš πš˜πš›πš πš’πš—πšœπš’πšπšŽ πš–πš’ πš–πš˜πšžπšπš‘ π™½πš˜πšπš‘πš’πš—πš 𝚐𝚘𝚘𝚍 𝚝𝚘 𝚜𝚊𝚒 πš‚πš˜ 𝙸 𝚜𝚊𝚒 πš—πš˜πšπš‘πš’πš—πš 𝚊𝚝 πšŠπš•πš•_ _______________ π™Έπš'𝚜 πšŠπš— πšŠπš›πš πšπš˜πš›πš–, πš“πšžπšœπš 𝚝𝚘 πš”πš—πš˜πš  𝙸 πš‘πšŠπšŸπšŽ πš–πš˜πš›πšŽ πšŠπš–πš–πšžπš—πš’πšπš’πš˜πš— π™Όπš˜πš›πšŽ πšπš‘πšŠπš— 𝚒𝚘𝚞 πšŒπš˜πšžπš•πš πšπš‘πš›πš˜πš  π™ΆπšžπšŽπšœπšœ 𝚒𝚘𝚞 𝚐𝚘𝚝𝚝𝚊 𝚜𝚝𝚊𝚒 πšŒπš˜πšŒπš”πšŽπš 𝚁𝚎𝚊𝚍𝚒 𝚝𝚘 πš›πš˜πšŒπš” πš‹πš˜πšπšπš˜πš– πšπš’πš™πšŽ πšŒπš˜πš—πšπš’πšπš’πš˜πš—πšœ π™±πšžπš, 𝙸'πš•πš• πš—πšŽπšŸπšŽπš› πš™πš˜πš™ πšπš‘πšŽ πšπš˜πš™ π™³πš˜πš—'𝚝 πšπš‘πš’πš—πš” πšπš πš’πšŒπšŽ πš„πš—πš•πšŽπšœπšœ πš’πš'𝚜 πš–πš˜πšŸπš’πš—πš πšπš˜πš›πš πšŠπš›πš 𝚈𝚘𝚞 πš”πš—πš˜πš  𝙸 𝚜𝚎𝚎 πšπš‘πšŽ πšπšžπšπšžπš›πšŽ πš’πš— πšπš‘πšŽ πšœπšžπš— πš†πšŽπšŠπš™πš˜πš—πšœ πšπš˜πš πš— π™³πš’πšœπšŠπš›πš–πšŽπš π™±πšžπš, πšŠπš•πš• 𝚒𝚘𝚞 πš πšŠπš—πšπšŽπš 𝚠𝚊𝚜 𝚝𝚘 𝚝𝚎𝚜𝚝 πš–πš’ πšπš›πšŠπš  π™³πšŽπšŠπšπš‘ πš’πšœ 𝚊𝚝 πšπš‘πšŽ πšπš˜πš˜πš› π™±πšžπš, 𝚒𝚘𝚞'πš›πšŽ πš™πš•πšŠπš—πšœ πšŠπš›πšŽ πš˜πš— πšπš‘πšŽ πš•πš’πš—πšŽ π™ΊπšŽπšŽπš™ πš–πš’ πšπš’πšœπšπšŠπš—πšŒπšŽ π™Έπš 𝙸 πšπš‘πš’πš—πš” πš’πš˜πšžπš› πšπš˜πš—πš—πšŠ πšπš’πšŽ πš†πš‘πšŠπš π™Έπš– πš›πšžπš—πš—πš’πš—πš πšπš›πš˜πš– π™½πš˜ 𝚠𝚊𝚒 𝚝𝚘 πšŽπšœπšŒπšŠπš™πšŽ πš’πš π™±πšŽπšŒπšŠπšžπšœπšŽ πš’πš πš•πš’πšŸπšŽπšœ πš’πš—πšœπš’πšπšŽ π™Ύπš πš–πš’ πš–πš’πš—πš πšƒπš‘πšŽπš›πšŽ'𝚜 𝚊 πš›πšŽπšŠπšœπš˜πš— πš πš‘πš’ 𝙸 πš—πšŽπšŸπšŽπš› 𝚜𝚊𝚒 πšπš˜πš˜πšπš‹πš’πšŽ π™°πš—πš πšπš’πšœπšŠπš™πš™πšŽπšŠπš› πš‚πš˜πš–πšŽπš πš‘πšŽπš›πšŽ πš’πš— πšπš‘πšŽ 𝚍𝚊𝚒'𝚜 πš—πš’πšπš‘πš πš†πšŽ 𝚐𝚘𝚝 πš˜πš—πšŽ πšœπšŒπš˜πš›πšŽ π™Έπš'𝚜 πš πš‘πšŠπš πšπš‘πšŽ πš‹πš˜πšπš’'𝚜 πšπš˜πš› π™Ώπš˜πš™πšžπš•πšŠπšπšŽ πš–πš’ πšπš›πšŽπšŠπš–πšœ πš†πš’πšπš‘ π™°πš›πš–πšŠπšπšŽπšπšπš˜πš— πšŒπšŽπš—πšπš›πš’πšŒ πšœπšπš˜πš›πš’ πš•πš’πš—πšŽπšœ 𝙸 πš πš˜πš”πšŽ πšŠπš—πš πš™πšŠπš—πš’πšŒπš”πšŽπš 𝚘𝚞𝚝 π™³πš˜πš—'𝚝 πš πšŠπš—πš—πšŠ πšπšŠπš•πš” πšŠπš—πš’πš–πš˜πš›πšŽ ...πš—πš˜ πš–πš˜πš›πšŽ π™΄πšŸπšŽπš›πš’πšπš’πš–πšŽ 𝙸 πš πšŠπš”πšŽ πšžπš™ πšŠπš—πš 𝚏𝚊𝚌𝚎 πšπš‘πšŽ πš–πš˜πš›πš—πš’πš—' 𝙸 πšπš‘πš’πš—πš”, "πš‘πš˜πš  πšŠπš– 𝙸 πšπš˜πš—πš—πšŠ 𝚍𝚘 πšπš‘πš’πšœ πšŠπš—πš’πš–πš˜πš›πšŽ"? π™°πš—πš 𝚒𝚘𝚞, πšœπšžπšŒπš‘ 𝚊 πš™πšŽπš›πšπšŽπšŒπš 𝚎𝚑𝚌𝚞𝚜𝚎 πšπš˜πš› πšπš‘πšŽ πš‹πš•πšžπšŽπšœ Β©οΈπš–πšŠπšžπšŒπš‘πšπš’πšŠ πš–πšžπšœπš’πš”
4.
Ask yourself Why put your faith in anybody else? What you don’t need, keep it on the shelf People come and go just like another day Catch yourself in the moment In the dawn of day Appreciate that it ever came I get so nauseous when we just complain I was thinking of you It’s the last thing that I wanna do Because I know that I’ll go all the way Wasting my time In someway is committing a crime How can I explain Holding on to you was so inevitable As hard as it is We always wanna walk in the rain How can I exist If holding on to you is so inevitable? Is it even in my hands? A euphoric reaction A euphoric reaction A euphoric reaction A euphoric reaction Taking in the view So many patterns That my eyes feel drunk The thing to know is you don’t know a thing You gotta catch yourself The world keeps falling I feel far away from the human race So does every star at night I’ve ever seen Been feeling like that Even back in ’79 How can I explain Holding on to you was so inevitable As hard as it is We always wanna walk in the rain How can I exist If holding on to you is so inevitable? Is it even in my hands? We always wanna walk in the rain How can I exist We always wanna walk in the rain I’m putty in your hands Only when we walk in the rain How can I accept That holding onto you is so inevitable? Is it even in my hands? We always wanna walk in the rain How can I exist We always wanna walk in the rain I’m putty in your hands Only when we walk in the rain Only when we walk in the rain Only when we walk in the rain
5.
6.
End 05:52
God, I’ve been so bad And made everybody mad Made all the children laugh I laid on the so lid ground Under her stars where it was dark I paid the pilot to crash Went bribing all the brats Sharp glass underneath the mat My veins so the cats could scratch Uneven and unmatched Dark under your eyes The hate in you’re eyes The gaze of a falling out Down the mountain we went Where all the criminals slept We drank all the money up Like the world was about to blow That was the end of our affairs You’re footprints in the snow...
7.
Talk with me I used to be so warm And all my friends Could reach me then Now we’re all estranged I let those bridges burn I’m don’t wanna show my face In any place I’ll dissipate and blend Into every scene Bleeding all through time Right before my eyes Walk with me I’ll be confusing You’ll be all so strange Forgetting faces Like a ghost I’m faint Until I get my turn Don’t you wanna go Right back To living for the moment, again? Been courageous in Living dangerously It’s all behind Those hazel eyes
8.
All I really want Is for you to tell me what you need Tell me if it bleeds All I really want Is for you to tell me what you need Just tell me what you need It's all I really want Just tell me what you need All I really want Just tell me what you need Tell me what you need 'Cause all I really want Is for you to tell me what you need Just tell me what you need It's all I really want Just tell me what you need
9.
Strutdts 05:17
πš‚ometimes when I'm alone and I'm singing Something goes through me and it feels like it's you Do you remember how we used to sit outside in the summertime And up in the sky we watched the UFOs I could not connect because I don't relate here Parts of me die another corpse of mine I really can't recall if I had feelings at all Because you dumb me down the drain I get mechanical My buried thoughts don't trickle down enough to formulate a single word inside my mouth There's nothing good to say so I say nothing at all It's an art form just to know I have more ammunition More than you could throw Guess you gotta stay cocked ready to rock bottom type conditions But I never pop the top Don't think twice, unless it takes you forward You know I see the future in the sun My weapons down Disarmed But all you really wanted was to test my draw Death is at the door but your plans are on the line I keep my distance cause I know you're about to die What I'm running from, no way to escape it Because it lives inside of my mind There's a reason why I never say goodbye and disappear somewhere in the day's night We got one score It's what the body's for Populate my dreams with Armageddon centric storylines I wake up and panic out Don't wanna talk anymore No more Every time I get up and I face the morning I think how am I gonna do this anymore And you, such a perfect excuse for the blues

about

A collection of songs from 2014 to 2021.
This record is dedicated to Squirrel Nut and
Paulette Ashburn Yadon. (6/24/1950-6/29/2021)
You're son loves you more than he can say.

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released December 18, 2021

Written,produced and performed by, Christian James Mauch

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THE SPIRAL SOUND Fort Worth, Texas

Electro-Rockers, THE SPIRAL SOUND, who’s music Christian James describes as β€œplastic sex rock”, is informed by electronic music, but angular guitars and effects laden riffs are the driving force that surround Christian’s raspy, androgynous and sentient vocal performances. The songs are danceable but dark and intelligent with odd guitar tunings, thick slabs of reverb, delay and polyrhythmic beats
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