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Dirty Dress

from dirty language by THE SPIRAL SOUND

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lyrics

Hush, hush your mouth
Please let me think
Your thick skull is outside
The neighborhood is shooing you
My brain does this thing, It tells me that I didn’t see nothing
Quit being so nosy

But you sure did give it to me this time
Oh, you really got me good this time
You sure did socket to me, all right
All right, all right you win this last round
I always wondered ‘bout you
Now I get what you were about

You’re being bad, you
You’re being shared
Pinned down like an animal
You keep your trash
Paper bag excuses
Get me back
Oh, you’re treated so mean
So talk about it, you don’t want to talk about it do ya’?
Sure that the timing’s gonna to be bad

I don’t get it, you’re not right
I admit, I’m not right
I wish you were perfect for the role you wanna play

Your ship is wrecked
Keepin’ all your secrets in the cracks
Your shadows, I don’t doubt anymore
Your party dress, covered up in fingerprints
I guess I’m gonna have to shoot you down
So spit it out and we can wrap it up, send it to China
So we can climb up that mountain again
Cause I don’t wanna be boring some old man with this story, beginning to end

She said, “ I don’t remember how it happened at all”
“ I don’t remember if it happened”. “Listen there’s only half of me that’s got to be bad”
And she was sayin’, “ I don’t remember if it happened, I don’t”
“ I don’t remember how it happened, at all”.
“ I don’t remember if it happened”. “ listen there’s only half of me that’s got to be bad”
So, she was sayin’, “ I don’t remember if it happened, I don’t”. “ I don’t remember”.

I don’t get it, you’re not right
I admit, I’m not right
I wish you were perfect for the role you oughtta’ play

credits

from dirty language, released April 6, 2008
ChristianJames/PaulGoetz/PatrickHiggins©️2008MauchfiaMusik

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THE SPIRAL SOUND Fort Worth, Texas

Electro-Rockers, THE SPIRAL SOUND, who’s music Christian James describes as “plastic sex rock”, is informed by electronic music, but angular guitars and effects laden riffs are the driving force that surround Christian’s raspy, androgynous and sentient vocal performances. The songs are danceable but dark and intelligent with odd guitar tunings, thick slabs of reverb, delay and polyrhythmic beats
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